Reading 1

9-11
  • Portfolios have gone from being a sample book of typefaces to being a broad scope record of a person or company's identity and skills. Portfolios are also now available digitally, online, etc.
  • Discover ways to present yourself as a competent designer.
    • Wide range of media: Print, online, dvd, motion graphics
    • Variety of purposes - text base or images
  • The world  and the ability to adapt is important, leather or aluminum case may not always be available. 
  • A million ways to display but some things remain consistent.
    • Resume, consistent, clean, neat, coordinated, variety
  • Self selling should not appear to have taken all of your effort and should not be self indulgent. 


13-23


  • Audience: Remember that you can change or redo your portfolio. 
    • The container is secondary to the content
    • Remember to display reliability, hard work, initiative and competence as well as your talent.
  • Tone: The tone of your portfolio should reflect the work that interests you. 
    • Gear the portfolio and packaging for the audience you are going for. (Formal, informal, digital, print)
  • Range: Provide a wide range of design work. 
  • Portfolios in book Format: Consider producing a bound book to unify a body of design work. 
    • Materials arranged thematically.
  • Showing process: Include thumbnails and touch sketches or text pages revealing how you reached the end result. (where appropriate)
  • Flexible Content: Possibly tuck a separate sketchbook into the back of your portfolio, then you can pull it out if requested.